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International Size chart guideline

The shirts we are selling are based on Asian size chart. If you are buying from overseas such as US / UK - Kindly refer to this size chart guideline. For example, for a regular US size M is equaivalent to Asian XL.

Batik Shirts & Batik Fashion

Indonesian batik, considered over 1,000 years old, was enshrined in UNESCO's list of Intangible Cultural Heritage of Humanity in 2009. According to UNESCO reviews, the batik technique is connected with the cultural identity of the Indonesian people. It reflects their creativity and spirituality via the symbolic meanings of its colors and designs.

Malaysia Batik

A brief history and considerable ingenuity can serve as catchphrases for Malaysian commercial batik manufacture. This history spans just around 100 years and has been full of energy and activity:

  1. In the early 1900s, Malays on the peninsula's east coast experimented with wax-free antik batik cloth printing.
  2. In the 1920s, individuals in the same area began using screen printing to produce decorative fabrics quickly and cheaply.
  3. Around 1930,' real' batik production began, with wax stamping directly on the cloth. Batik was recognized and utilized in Malaysia long before this manufacturing began, particularly from Java.  

The Malays picked up the methods and patterns to make a Batik shirt from the Javanese. Even now, parts of designs from Javanese textiles are continued and evolved in numerous textiles manufactured by block printing and screen printing.

Although Javanese origin remains obvious, Malaysian producers have partially emancipated themselves from it and developed their craft in new directions. It is evident in technique, design, and new product categories. Leaves and flowers were the most frequent themes in batik shirts then. 

Malaysian batiks showing animals are uncommon since Islamic traditions prohibit the use of animal imagery as ornamentation. The butterfly theme, on the other hand, is a common exception for the shirts. Malaysian batik is particularly well-known for its geometric patterns, such as spirals.

Malaysian batik textiles have an international edge because they have brighter colors and more adaptable designs than the more mystic-influenced Indonesian batik, which depicts animals and people. Malaysian batik design has unique individuality, which might be attributed to the country's multicultural and ethnic variety.

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The Batik Process

Batik is a resist method used to create patterns on cloth. Wax or starch can be used as resist material. Wax resist is one of the world's oldest traditional cloth decorating methods. In the seventh century A.D., it was known in China. Batik methods are also present in:

  • Japan
  • Central and Southeast Asia
  • Europe
  • Portions of Africa
  • India

Aristocratic ladies in Indonesia initially did it, and each item took several months to finish with limited quantities produced.

Traditionally utilized colors are red and brown. The most straightforward known kind of batik is dyeing clothing with monotone blue or red patterns. The region pekalosngn method painted-on technique was introduced from India but was replaced by the ret waxing and over-dying process to produce many-colored combinations. 

Around 1850, the first attempts were made to use blocks or Tjap Printing to simplify and speed up the manufacture of batik and waxing. These blocks are made of soldered copper strips and have a rear opening.

Today's fashion allows the artist to design clothes for women and men fashion however they see fit. More materials for a batik t-shirt are now available, giving batik artists more latitude, including cotton, silk, wool, etc. There are also many sizes for sale in a shop, including small size, large size, and XXL size. Batik is currently used to create many stunning garments and ornamental objects for men at a reasonable price. Batik was historically used to make sarongs, but because of its expanding popularity, it is also utilized for home furnishings, household items, tablecloths, and pillow covers, among other things.

Although current batik styles have strong ties to more traditional batik, the designer primarily influences the patterns. Similarly, traditional dyes have given way to chemical dyes, which can generate whatever hue a designer desires.

Types of Batik Fabric

Barkcloth and woven cotton were the first textile materials used in Malaysia and Indonesia. However, when more diverse and “better” imported materials were accessible through trade agreements with India, China, and Europe, there was a progressive change in their use.

Weavers could make distinguished materials for the aristocrats and upper levels of society due to the availability of luxury products such as silk and metal thread. Weavers throughout Malaysia embraced the usage of the backstrap loom after being influenced by Indian weaving and design approaches.

Later, the floor loom was imported from Europe, allowing for more growth and weavers to make broader cloth than the backstrap loom. The backstrap loom is still used by indigenous people in Borneo today, and the use of natural dyes is a hallmark of the subdued, natural hues of indigenous textiles, notably the Iban Pua Kumbu of Sarawak. Textiles are frequently employed as arts in addition to their essential role of covering the body.

Solo Batik Design for Men and Women

Although hundreds of distinct batik shirt designs exist, certain motifs have traditionally been connected with various religious events and traditional festivals. Previously, it was believed that particular fabrics possessed supernatural properties to fend off bad luck, while others may offer good luck.

Specific batik patterns are only available to brides, grooms, and relatives. Other designs are exclusive for the Sultan, his family, and their attendants. The design of a person's batik shirt might reveal their rank.

Generally, batik shirt design falls into two categories:

  1. Geometric motifs: which tend to be older
  2. Free-form designs: which are based on stylized patterns of natural forms or imitations of woven textures. Nitik is the most well-known example of this phenomenon.

Traditional & Modern Batik Painting

The pattern's contour is customarily drawn on the fabric with charcoal or graphite. Traditional batik designs make use of motifs passed down through the generations. An artisan is rarely so accomplished that he can work from memory and only needs to create an outline of the design before applying the wax. 

Designs are frequently traced from stencils or polar patterns. One way to trace a design onto fabric is to place the cloth on a glass table lit from below, casting a shadow of the pattern onto the cloth. After that, the shadow is traced with a pencil. In today's major batik companies, men are generally responsible for sketching the patterns onto the cloth to make a beautiful short sleeve shirt for men.

Making batik is a labor-intensive technique. A copper stamp, a cap, was invented in the mid-nineteenth century to accommodate rising demand and make cloth cheaper for customers. Compared to the conventional approach, which required the painstaking wax application by hand with a canting, this invention allowed for a larger volume of batik manufacturing.

Once the pattern has been sketched onto the fabric, it is ready to be waxed. Wax is applied to the fabric over the portions of the pattern where the artist wants the cloth to retain its natural color. It is usually white or cream.

Female employees sit on a low stool or a mat to apply the wax with a canting motion. The cloth is hung over light bamboo frames known as gawangan to allow the freshly applied wax to cool and set. In the wajan, the wax is heated until it reaches the proper consistency. The artist then dips her canting into the wax to fill the canting's basin.

Artisans use the wax to retrace the pencil outline on the cloth. A little drop cloth is placed on the woman's lap to shield her from the hot, pouring wax. The stem of the canting is held horizontally with the right hand to minimize unintentional leakage, drastically diminishing the final cloth's value. 

The left hand is put beneath the cloth to provide support. The spout does not come into contact with the fabric; instead, it is held slightly above the area where the artist works. Batik is waxed on both sides to ensure the design is clearly defined. Authentic Tulis batik is reversible, as both sides' designs should be similar.